The Bato Hiroshige Museum, designed by renowned Japanese architect Kengo Kuma in Kakegawa, Tochigi Prefecture, features a stunning corridor constructed from local Yagimatsu cedar, making it a favorite spot for photography enthusiasts. However, after 24 years since its opening, the roof has suffered significant deterioration. In response, the Tochigi Prefectural Government plans a major restoration next year, with an estimated budget of 100 million to 300 million yen (approximately $670,000).
In a recent business report, local residents expressed their discontent regarding the hefty price tag for the repairs, questioning whether the architect had done enough to design a building that would encourage local authorities to prioritize maintenance and prevent it from falling into disrepair. Residents noted that since five years ago, the museum has been deteriorating rapidly, leading many locals to avoid the place altogether.
The museum’s primary collection consists of original paintings and prints by Utagawa Hiroshige, a classic form of Japanese ukiyo-e art. Kengo Kuma utilized natural materials such as Yagimatsu cedar, Ashino stone, and bamboo to enhance the museum’s aesthetic. The corridor, crafted from Yagimatsu cedar, creates a stunning display of shifting light and shadow throughout the day. However, close inspections reveal serious decay in the cedar roofing; some wooden beams have already snapped, while decorative elements are showing signs of mold and dark stains.
In an open letter, Kengo Kuma stated that the wooden louvered roof was designed to symbolize Hiroshige’s depiction of “sudden rain,” representing the essence of the building. He acknowledged that the protective coatings used on the cedar at the time were insufficient compared to modern standards, resulting in increasing damage and the necessity for replacement. Kakegawa Town plans to initiate extensive renovations next year in celebration of the museum’s 25th anniversary, with reports estimating costs could reach as high as 300 million yen. Local residents have voiced concerns that such a financial burden is excessive for a rural area and could be seen as a waste of taxpayer money.
To address the financial gap, the Bato Hiroshige Museum launched an online crowdfunding campaign at the end of July, aiming to raise 100 million yen for the repairs within 90 days. However, as of October 1st, fewer than 70 supporters have contributed, achieving only 11% of their goal, with approximately 1.18 million yen raised and just 27 days left until the campaign’s deadline.
